Discussions with PCs - Observations

I felt it important to chronicle my observations and what conclusions I can and can not make based on those observations.

Morgan Silva, is eager to learn most likely looking for an escape from the control of Malekite. This fear is useful as it led her to agree to study the ways of the signers and gives her nothing to hold to in the imaginary world but only a reason to want to escape. Though I do question the ethical implications of taking someone like her out of the imaginary world and into the "real" world. I have decided not to be contains by such moral questions as I can not with assurance speak to the behavioral moral and ethic composition of the world outside of my current one.

Raziel Kain was willing to join the experiment but only in the hopes it would gain him some great fortune or power, as is typical with PCs. This will be the subject of great length later in this post.

Bella Janevour has visions of the future. An example of the non linear time flow of this dream multiverse. However, her visions are often wrong, an example of the logical inconsistency of this world which goes to further prove it is not real.

Kolbein seemed to agree because he had nowhere else to go, perhaps he was searching for secrets or perhaps there were forces outside our visible world and from his real world which compelled him to stay with the other PCs.

The experiments was intended to help in one of two goals. First, make a replica of the real world and therefore understand the painters and it more fully. Conclusions and data which may be helpful in escaping but will also be infinitely helpful adapting to and living in the real world once I escape. As I have previously proven the PCs have some unique existence, and perhaps, purpose in this world I derive they gather such influence and control from their inherent connection to the outside world. Their feedback was greatly anticipated. Second, also assuming their connection to the outside real world, seeing a copy of it may trigger behavior and transparency between world that could be used to increase understanding or best case scenario escape.

Both goals were met, as will be detailed later.

the creation of this real world copy was the result of what a normal calendar would consider centuries of study and work. I observed nearly all parts of the multiverse(s). Using Galan's comments on how if this world is art created by the real world and art imitates truth than this world imitates the real one. As art exaggerates and emphasizes reality so too are the different aspects of this world exaggerations of the real world. All constructed in some way to tell and express the condition of the painter. If those assumptions (more precisely extrapolations based on limited data) were correct than I should be able to reverse engineer the real world from the exaggerations in the multiverse(s)

After my review of the multiverse(s) I compiled this real world copy on following rules.
1)If something existed with 75% consistency through the multiverse(s) then I pulled it straight across exactly as it was. My reasoning was that many things in the world around you are taken for granted and its hard to think of a reality with out them. If it occurs with such consistency it would have to be a part of the artists world so common as to be sub conscience.
2)Using the extremes in all instances (good evil, abilities, lifespans etc.) I determined the median value for those instances and if not overruled by the 75% rule I used that as the variable definition. MAKING AVERAGE AVERAGE
3)Contemplated what every manifestation could be training to say artistically. i.e. What could a particular color or creature symbolize. THis is inherently flawed because I was defining symbolism that would exist only with in the frame of my own world as I had no other reference point. However, it was the best I could do.
4) Keep the world devoid of all other manifestations that I could not create with a basis in one of the above 4 principles.

Since being in this world I created raziel begin to speak to me strangely. or more accurate whoever was painting raziel from outside this world was talking through him.

He gave no name but came at me, as is to be expected, with flattery and a long list of wishes and requests he watned me to grant. It seems odd that a painter would ask favors of me. It confirms to me that there is more than one painter and the painters are competing in a sense to build this world. to what end, what the contest gains them I do not know. Nor do i know the circumstances of victory. One can extrapolate that it be the painter who can gain the most stuff for their creations wins. Though if they are making it up why not just making up whatever they want? So that theory can not hold true.

Since that time Raziel's behavior seems stranger and stranger. Like whatever veil or wall was between our two realities is thinning. I watch this with great hope. That perhaps teh painter punctured a hole and eventually I will be able to use it to get out.

I have told Raziel that I would grant his wishes only when he sets me free and releases me. Until then I can not trust he would do anything for me. PCs greedy and slefish nature demand I deal with him so. Also the longer I wait the more I can see through him the other world. It is possible with giving him nothing I may still get what I need-- A way out.